Where’s Sherlock when you need him?
It’s day two of Water Bottle-Gate and still no clear sign that points to which resident of Downton brought their 21st century water bottle to the 1920′s photo shoot. The cast of Downton Abbey has further clouded the situation by sticking together so as to not ‘grass’ on the guilty party. Where’s O’Brien when you need her? Why does Thomas all of of a sudden have tight lips? If you haven’t picked up a paper or watched any telly for the past several days, Water Bottle-Gate revolves around a Downton Abbey series 5 publicity photo that mysteriously featured a 21st century water bottle behind the Earl of Grantham and Lady Edith. Who could have possibly left it there and, was it on purpose?
The cast, sans Dame Maggie Smith, took a break from series 5 filming to grab their favorite water bottle in response to the now famous ‘water bottle photo’ in support of the international charity, WaterAid, whose work highlights the need in the world’s poorest communities to have access to safe, clean water and sanitation.
Barbara Frost, Chief Executive of WaterAid, was understandably beside herself at the unplanned attention, “It brought a really big smile to my face when the cast of Downton Abbey said that they wanted to support WaterAid’s work. How fantastic that the attention created over one water bottle ends up benefiting some of the world’s poorest communities through access to safe, clean water today. Thank you so much to the cast and the producers of Downton Abbey.”
An ITV spokesperson said, “After seeing the reaction the picture caused earlier this week, the cast and crew came up with the idea of turning some of this attention towards an issue around water that really matters. They hope that by posing for this picture they will be able to raise awareness and amplify the work of international charity – WaterAid.”
It’s quite possible that Death Comes to Pemberley just might take your mind off the fact that when it premieres on PBS in the States this Fall, the new season of Downton Abbey will be airing in the UK. Possible, but not likely. Starring Matthew Rhys (The Americans), Anna Maxwell Martin (Bletchley Circle), Trevor Eve (Waking the Dead), Jenna Coleman (Doctor Who) and Matthew Goode (Match Point, A Single Man, The Good Wife), Death Comes to Pemberley comes to PBS’ Masterpiece series beginning Sunday, October 26 at 9pET/8pCT.
In 1813, Jane Austen gave Mr. Fitzwilliam Darcy and Miss Elizabeth Bennet a ‘happily ever after’, picture-perfect storybook ending. On October 26, author P.D. James takes it all away with Death Comes to Pemberley, the two-part British period drama that continues the events of Jane Austen’s Pride and Prejudice novel. It’s now October 1803, six years after the events which resulted in the marriage of Mr. Darcy and Lizzie. Unfortunately, it’s death that comes to Pemberley as one evening, on their way to Pemberley for a ball, an argument breaks out between George Wickham and Captain Denny in their carriage. We’ll stop there to avoid spoilers…
As you watch, look also for two familiar very faces to British comedy fans in the cast in James Fleet (Vicar of Dibley) as Elizabeth Bennet’s father and Penelope Keith (Good Neighbors, To the Manor Born) as Mr. Darcy’s aunt, Lady Catharine de Bourgh.
When we last left the residents of Downton Abbey, it was the Summer of 1923. It’s common knowledge that we are jumping forward just a bit with the beginning of series 5 set for a 1924 backdrop. As we get closer and closer to the rumored Sunday, 14 September premiere in the UK, ITV has released a few promotional photos for all the world to see. Unfortunately, doesn’t look like Downton Abbey‘s historian Alastair Bruce was on the set when the pics were taken. Talk a close look at this one in particular. We did give you a little help…
Even though everyone tried to convince Benjamin Braddock to invest in ‘plastic’ in The Graduate, the material wasn’t really mass produced until the mid-20th century. The making of the material was so expensive and with the Crawley’s financial woes just trying to pay for the upkeep on Downton, there’s little chance that even the Crawleys would have been able to get their hands on any to have water bottles hanging around. In all likelihood, I’m guessing that no water bottles and no rooftop antennas will find their way to the forthcoming series as, thank goodness, Alastair Bruce will now be on the case 24/7 until the series premieres on 14 September.
What started as a simple one-off special back in March 2003 has morphed into one of the best series on television in 2014. With a mere 10 seasons and 87 episodes under their belts, New Tricks has weathered the kitchen sink of reality and talent competition shows thrown at them to become one of the BBC mainstays when it comes to police procedurals. In addition, the series has overcome almost a complete cast overhaul with Amanda Redman, Alun Armstrong and James Bolam all having left the series this past year and new ‘old dogs’, Dennis Lawson, Nicholas Lyndhurst and Tamzin Outhwaite, joining the UCOS (Unsolved Crime and Open Case) Unit.
Outhwaite, who joined UCOS as DCI Sasha Miller at the end of series 10, had her work cut out for her given she was coming in as the lead ‘old dog’, replacing DS Sandra Pullman, played since the beginning of the series by Amanda Redman. Immediately faced with having to be ‘accepted’ by Gerry, DCI Miller ultimately earns the respect of the unit by cracking their first case, albeit, amidst a bit of a tense atmosphere.
The UCOS sets their sites on a new set of unsolved crimes when New Tricks S11 begins Monday at 9p on BBC One with a U.S. broadcast targeted on public television in 2015. New cast members aside, one thing doesn’t change. The theme song “The End of the Line”, which was written by George Harrison, is still sung by cast member Dennis Waterman. Thank goodness as, sometimes, you can only teach an old dog so many new tricks at one time.
The countdown to 23 August begins with the newest bit of trailer gold released by the BBC yesterday. With a dinosaur, a new Tardis interior and Peter Capaldi in a nightgown, how can you not be beside yourself with anticipation. “Deep Breath” is the first episode of the eighth series of Doctor Who which will usher in the Peter Capaldi era as he takes over as the Twelfth Doctor. In “Deep Breath”, the Doctor lands in Victorian London.
Don’t fret if you’re not within visual range of a telly on the 23rd. The episode will be beamed globally to over a thousand cinemas in the UK and the U.S. According to the great folks over at Den of Geek, there will be 12 theatrical events in 12 cities in the States at 12am/midnight to celebrate the launch of the new season on Saturday, August 23. For U.S. theaters that will be participating, click here to find one near you. Then, on Monday, August 25, the celebration will go nationwide with two showings at 7:00pm and 9:30pm (local time) to over 550 theaters in the U.S. UK fans can see the premiere at cinema chains Odeon, Empire, Cineworld, Vue, Omniplex and Picture House on August 23.
Why go to the cinema, you ask? Hello. It’s the big screen. And, there will be an exclusive 5-minute prequel scene preceding the premiere, and a 10-minute “making of” documentary immediately following. Need we say more?
You remember Nanny West, right? She was only in one episode as the governess and nanny for baby George Crawley and cousin Sybbie. Her days at Downton, however, were numbered right from the start. As we all know, once you make an enemy of Thomas Barrow, you’re done. Who can forget that fateful day in February 1922 when Lady Cora sacked her on the spot after overhearing this:
“Don’t let that chauffeur’s daughter disturb you. Go back to sleep you wicked little cross-breed.” — Nanny West to George and Sybbie.
When Downton Abbey returns for series five next month in the UK and January 2015 on PBS, we find ourselves in the mid-20′s. Sorry to say, Matthew Crawley is still gone but, on the upside, his and Lady Mary’s son looks to be growing into a spitting image of his late father killed in the road accident that still, to this day, has unforgiving fans of the series upset. Last seen as a baby, Master George Crawley, the heir to the Downton estate, will now be played by twins Oliver and Zac Barker.
Little George is joined in the Downton nursery by Miss Sybbie Branson, played by Fifi Hart and pictured here with her father, Tom Branson (Allen Leech), another single parent after his wife, Lady Sybil (Jessica Brown Findlay), died in childbirth.
Having a somewhat older Master George and cousin Sybbie seems to suggest that we’ll be seeing plenty more of both when Downton Abbey returns while their on-screen parents are also reported to be pursuing new romances during the forthcoming series. Lady Mary is still caught between her two suitors, Viscount Anthony Gillingham (Tom Cullen) and Charles Blake (Julien Ovenden), while her brother-in-law Branson continues to embark upon his relationship with Sarah Bunting, the young schoolteacher in Downton who challenged Tom when they met at a political rally last series.
Downton Abbey returns to ITV next month and in January 2015 on PBS…with or without Nanny West.
How great would this have been or be? Imagine a Saturday Morning Fun Club made up of the greatness of Scooby Doo, Pee Wee’s Playhouse and the Traveling Time Lord himself in an animated Saturday morning version of Doctor Who. Unfortunately, at this point, the idea lives only in the mind palace of artist and animator Stephen Byrne. Byrne’s fictional Saturday morning-style animated series of Doctor Who stars Peter Capaldi and Jenna Coleman with a little K-9 thrown in for good measure is Time Lord greatness.
Can’t immediately explain the Dalek chasing Clara around the TARDIS but, hey, it’s nothing more than just a bit of Saturday morning writer’s embellishment I’m guessing. What do you think? I know it’s not Scooby-Doo but would you have watched this on Saturday mornings?
As with the first time we checked into India’s self-described “luxury” resort, the front desk register at The Marigold Hotel once again reads like a who’s who of British acting royalty. Maggie Smith, Bill Nighy, Judi Dench, Celia Imrie, Ronald Pickup, Diana Hardcastle, Penelope Wilton and Dev Patel all return for a second stay in the sequel to the highly successful 2011 film that followed a group of British retirees who decided to ‘outsource’ their retirement to less expensive and seemingly exotic India. As they take up residence in what they believe is a newly restored hotel, the Marigold is just a shade less luxurious than its adverts.
In The Second Best Exotic Marigold Hotel, the story picks up right were we left off with everyone’s favorite Dowager Countess, Dame Maggie Smith, emerging as the newly-installed hotel co-manager who is immediately faced with the demands of a traditional Indian wedding. Judi Dench and Bill Nighy (Evelyn and Douglas) have now joined the local workforce, Patel (Sonny) is now faced with having to choose between his business and his upcoming marriage to the love of his life Sunaina, played by Tina Desae, Ronald Pickup and Diana Hardcastle (Norman and Carol) come to terms with the ups and downs of their exclusive relationship and Celia Imrie (Madge) has two eligible and very wealthy suitors on her plate. Tamsin Greig (Green Wing, Black Books, Episodes) and Richard Gere join the already stellar cast as new arrivals to the hotel.
The Second Best Exotic Marigold Hotel has a 27 February 2015 release date in the UK with an early March 2015 date for release in the States.
When the phrase Must See TV was coined by NBC years ago for its’ Thursday night comedy/drama lineup it must have had an upcoming public television special in mind some 30 years later. Being Poirot, which recounts Sir David Suchet’s last days as that ‘funny little man’ born in the mind of Agatha Christie, will leave long-time viewers of the Poirot series just as gutted as David Suchet was during the final days of filming. Being Poirot is Must See TV for the 21st century. Beginning this weekend on a public television station near you, fans of the Poirot series can see, and hear, the incredible level of detail in which Sir David Suchet prepared when creating his impeccable on-screen version of the famous Belgian detective.
Having invested a quarter of a century of his acting career in his portrayal of Hercule Poirot, the doc gives brilliant insight into how the consummate actor transforms into his ‘imaginary friend’ for the final time and how playing Poirot during those final scenes was the ‘hardest of his career’.
Long-time fans of the series were recently treated to the first two of the final five episodes which will complete entire Agatha Christie collection of stories ever written for her creation when Suchet returned to PBS with The Big Four and Dead Man’s Folly back in recent weeks. The final three episodes will make their way to public television stations beginning in November with Labours of Hercules, Elephants Can Remember and Curtain: Poirot’s Last Case.
Being Poirot, public television’s version of Must See TV, begins this weekend with the final three episodes headed your way in November 2014.
Who knew (or remembers) that the current host of The Late Late Show, Craig Ferguson, and the newest Traveling Time Lord (Peter Capaldi) go way back. As the story goes, Ferguson began as a drummer in a rock band called Exposure. He then joined a punk band called The Bastards from Hell, which was later renamed Dreamboys, which was fronted by guitar player and lead vocalist Peter Capaldi. They performed regularly in the early 80′s in Glasgow at such places as The Hellfire Club, where they record a live 3-song 7″ vinyl recording in October of 1980. Also in the band was Temple Clark on bass guitar, who is now a highly successful feature film storyboard artist that has worked on such films as The Avengers, Sherlock Holmes: Game of Shadows, and two films in the Harry Potter franchise, Harry Potter and the Chamber of Secrets and Harry Potter and the Prisoner of Azkaban.
Not much is known about the former Bastards of Hell, other than what Capaldi discussed on The Late Late Show a few years ago. The ensuing discussion of their early days exploits in Glasgow are priceless.
In 1980, the Dreamboys recorded their ‘hit’, Bela Lugosi’s Birthday.
The British Film Institute has found two lost episodes of the ITV comedy sketch classic, At Last the 1948 Show which starred comedy legends, John Cleese, Graham Chapman, Tim Brooke-Taylor and Marty Feldman. The find was made by Missing Believed Wiped coordinator, Dick Fiddy, when he was invited by family members to explore the personal archive collections of the late Sir David Frost who was executive producer on the show. Former Python John Cleese will present the two episodes, the first and last ever of the series, on loan from the Frost family, as part of Missing Believed Wiped, the BFI‘s annual celebration of recovered TV programs, on 7 December in London. The programs have not been seen since their original broadcast in 1967 on 15th February and 7th November and were contained on two reels of 16mm film which were filmed directly from a television screen.
The latest discovery of “lost” tapes is being dubbed a major find for fans of the early incarnations of surreal British television comedy which was hugely influential in the creation of Monty Python’s Flying Circus in 1969. At Last the 1948 Show is famous for containing the first use of the phrase “And now for something completely different” which became a Python catchphrase and for showcasing the first outing of the Four Yorkshiremen sketch.
Re-watching the material after some 47 years “…made me laugh a great deal“, admitted former Goodie member, Tim Brooke-Taylor. “I think the sketches would be shorter now, but I’m rather pleased with it. It was ground-breaking in a sense in that it was very silly. We were thinking, will we get away with it basically?”
Sadly, these sentiments were echoed by former Python members Terry Jones and Michael Palin last year when we asked both if anything resembling the likes of Monty Python’s Flying Circus could find its way to the small screen today. The universal answer was very doubtful. Like At Last the 1948 Show, Python was ground-breaking telly where all involved were just handed the keys to the comedy closet and told to make a funny show with no ‘suit’ looking over their shoulders.